But while the flip, jaunty verbosity they use as a shield produces some pleasingly acerbic humor, it often feels forced and false in this setting. There’s a specificity to Green’s language his characters are hyper-verbal, self-aware and fiercely biting in the tradition of " Heathers" and " Clueless." They know all too well that pop culture depicts cancer-especially young people with cancer-in a mawkish manner that they refuse to accept as they regard their own conditions. ![]() Weber, who also wrote the romantic charmers " (500) Days of Summer" and " The Spectacular Now," remained very faithful to the book, which should make the core tween/teen fan base happy. (Screenwriters Scott Neustadter and Michael H. ![]() ![]() So much of what worked on the page-and made Green’s writing so lively and engaging-gets lost in translation and feels uncomfortably precocious when actual people actually say his words out loud.
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